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Art Blakey's Jazz Messengers With Thelonious Monk (1958) Japanese Remastered Reissue 2006
Author: Designol

Art Blakey's Jazz Messengers With Thelonious Monk (1958) Japanese Remastered 2006
EAC | FLAC | Tracks (Cue&Log) ~ 372 Mb (incl 5%) | Mp3 (CBR320) ~ 187 Mb (incl 5%) | Scans included
Genre: Bop, Hard Bop | Label: Atlantic/Warner Music Japan | # WPCR-25112 | Time: 01:04:37

Most of the titles on this album are derived from Thelonious Monk's vast catalog of bop standards. Both co-leaders are at the peak of their respective prowess with insightful interpretations of nearly half a dozen inspired performances from this incarnation of the Blakey-led Jazz Messengers. This combo features Art Blakey (drums), Johnny Griffin (tenor sax), Bill Hardman (trumpet), and Spanky Debrest (bass).
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Art Blakey & The Jazz Messengers - Live In Zurich 1958 (2010) [2CD] {Solar Records}
Author: ruskaval

Art Blakey & The Jazz Messengers - Live In Zurich 1958 (2010) [2CD] {Solar Records}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 561 Mb | MP3 @320 -> 243 Mb
Full Artwork @ 300 dpi (png) -> 32 Mb | 5% repair rar
© 2010 Solar Records | 4569881
Jazz / Hard Bop

A complete, previously unissued 1958 concert, with excellent sound quality, performed in Zurich by one of the best formations of Art Blakey’s Jazz Messengers, featuring Lee Morgan, Benny Golson, Bobby Timmons and Jymie Merritt. Contains new versions of the classics “Moanin’” and “I Remember Clifford”, along with the only existing live version of “Come Rain or Come Shine” by this group, and an amazing trio version of “My Funny Valentine” with Bobby Timmons as the featured soloist.
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Art Blakey and The Jazz Messengers - Moanin' (1958) [RVG Edition, 1999]
Author: Andi_Deris

Art Blakey and The Jazz Messengers - Moanin' (1958) [RVG Edition, 1999]
EAC Rip | APE: Image+Cue+Log | 348 Mb | MP3 CBR 320 kbps | 135 Mb | Scans | Time: 50:13
Genre: Jazz, Hard Bop | Label: Blue Note/Capitol | Cat.№: 7243 4 95324 2 7

Moanin' is a jazz album by Art Blakey and the Jazz Messengers recorded in 1958. The album stands as one of the archetypal hard bop albums of the era, for the intensity of Blakey's drumming and the work of Morgan, Golson and Timmons, and for its combination of old-fashioned gospel and blues influences with a sophisticated modern jazz sensibility. The album was identified by Scott Yanow in his Allmusic essay "Hard Bop" as one of the 17 Essential Hard Bop Recordings.
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Art Blakey & Les Jazz-Messengers - Au Club Saint-Germain Vol.3 (1959) {2014 Japan Jazz Collection 1000 Columbia-RCA Series}
Author: ruskaval

Art Blakey & Les Jazz-Messengers - Au Club Saint-Germain Vol.3 (1959) {2014 Japan Jazz Collection 1000 Columbia-RCA Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 245 Mb | MP3 @320 -> 94 Mb
Full Artwork @ 600 dpi (png) -> 187 Mb | 5% repair rar
© 2014 RCA / Sony Music Japan | SICP 3968
Jazz / Hard Bop

Grand Prix Du Disque De L'académie Charles Cros 1959. Recorded at the celebrated Club Saint Germain, the formation presented here marks the third incarnation of Art Blakey’s Jazz Messengers, with trumpeter Lee Morgan (then only 20 years old), tenor saxophonist Benny Golson, pianist Bobby Timmons and bassist Jymie Merrit. For the last two tunes, bop drum pioneer Kenny Clarke (who was living in Paris) substitutes Blakey. Besides the individual gifts of each member, the group forms a compact unit with a cohesive sound. “We play modern jazz”, explained Blakey during a 1958 interview, “and to understand it you mus listen. We study, we rehearse. The Jazz Messengers are very serious about getting the music across to you. If you don’t want to listen, maybe the person sitting next to you does.”
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Art Blakey & Les Jazz-Messengers - Au Club Saint-Germain Vol.2 (1959) {2014 Japan Jazz Collection 1000 Columbia-RCA Series}
Author: ruskaval

Art Blakey & Les Jazz-Messengers - Au Club Saint-Germain Vol.2 (1959) {2014 Japan Jazz Collection 1000 Columbia-RCA Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 270 Mb | MP3 @320 -> 102 Mb
Full Artwork @ 600 dpi (png) -> 185 Mb | 5% repair rar
© 2014 RCA / Sony Music Japan | SICP 3967
Jazz / Hard Bop

Grand Prix Du Disque De L'académie Charles Cros 1959. Recorded at the celebrated Club Saint Germain, the formation presented here marks the third incarnation of Art Blakey’s Jazz Messengers, with trumpeter Lee Morgan (then only 20 years old), tenor saxophonist Benny Golson, pianist Bobby Timmons and bassist Jymie Merrit. For the last two tunes, bop drum pioneer Kenny Clarke (who was living in Paris) substitutes Blakey. Besides the individual gifts of each member, the group forms a compact unit with a cohesive sound. “We play modern jazz”, explained Blakey during a 1958 interview, “and to understand it you mus listen. We study, we rehearse. The Jazz Messengers are very serious about getting the music across to you. If you don’t want to listen, maybe the person sitting next to you does.”
Details
Art Blakey & Les Jazz-Messengers - Au Club Saint-Germain Vol.1 (1959) {2014 Japan Jazz Collection 1000 Columbia-RCA Series}
Author: ruskaval

Art Blakey & Les Jazz-Messengers - Au Club Saint-Germain Vol.1 (1959) {2014 Japan Jazz Collection 1000 Columbia-RCA Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 293 Mb | MP3 @320 -> 107 Mb
Full Artwork @ 600 dpi (png) -> 188 Mb | 5% repair rar
© 2014 RCA / Sony Music Japan | SICP 3966
Jazz / Hard Bop

Grand Prix Du Disque De L'académie Charles Cros 1959. Recorded at the celebrated Club Saint Germain, the formation presented here marks the third incarnation of Art Blakey’s Jazz Messengers, with trumpeter Lee Morgan (then only 20 years old), tenor saxophonist Benny Golson, pianist Bobby Timmons and bassist Jymie Merrit. For the last two tunes, bop drum pioneer Kenny Clarke (who was living in Paris) substitutes Blakey. Besides the individual gifts of each member, the group forms a compact unit with a cohesive sound. “We play modern jazz”, explained Blakey during a 1958 interview, “and to understand it you mus listen. We study, we rehearse. The Jazz Messengers are very serious about getting the music across to you. If you don’t want to listen, maybe the person sitting next to you does.”
Details
Art Blakey & The Jazz Messengers - The Freedom Rider (1961) {2015 Japan SHM-CD Blue Note 24-192 Remaster}
Author: ruskaval

Art Blakey & The Jazz Messengers - The Freedom Rider (1961) {2015 Japan SHM-CD Blue Note 24-192 Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 401 Mb | MP3 @320 -> 129 Mb
Full Artwork @ 600 dpi (png) -> 180 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 2015 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5105
Jazz / Hard Bop

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. The final recording by this edition of The Jazz Messengers (featuring trumpeter Lee Morgan, tenor saxophonist Wayne Shorter, pianist Bobby Timmons, bassist Jymie Merritt and drummer/leader Art Blakey) finds the group consolidating their year-and-a-half of experience into yet another exciting document. Blakey's unaccompanied drum feature on "The Freedom Rider" is full of drama while the rest of the program (two compositions apiece by Morgan and Shorter) makes this last chapter for this particular band quite memorable.
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Art Blakey & The Jazz Messengers - A Night In Tunisia (1960) {2013 Japan SHM-CD Blue Note 24-192 Remaster}
Author: ruskaval

Art Blakey & The Jazz Messengers - A Night In Tunisia (1960) {2013 Japan SHM-CD Blue Note 24-192 Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 385 Mb | MP3 @320 -> 123 Mb
Full Artwork @ 600 dpi (png) -> 250 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 2013 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81010
Jazz / Hard Bop

One of a number of Art Blakey albums titled after "Night In Tunisia" – and most likely the best! The tune is a perfect fit for the Blakey Jazz Messengers format – long, rhythmic, really stretching out, yet allowing plenty of space for the horn players to solo. Players include Bobby Timmons on piano, Lee Morgan on trumpet, and Wayne Shorter on tenor – a killer lineup that's in really classic form here – driven on nicely by Blakey's drums and bass work by Jymie Merritt. Titles include "Night In Tunisia", with Blakey thundering through impeccably – plus the tracks "Yama", "Kozo's Waltz", and a version of Timmons' great "So Tired".
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Art Blakey and The Jazz Messengers - Roots & Herbs (1961) {2014 Japan SHM-CD Blue Note 24-192 Remaster}
Author: ruskaval

Art Blakey and The Jazz Messengers - Roots & Herbs (1961) [FLAC] {2014 Japan SHM-CD Blue Note 24-192 Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 473 Mb | MP3 @320 -> 149 Mb
Full Artwork @ 600 dpi (png) -> 252 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 2014 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81094
Jazz / Hard Bop

A blinding session by Blakey! Truly one of his all-time great ones, and a record we've been putting on the turntable for 20 years, still always with new delight! The session was recorded in 1961 – when Blakey was working with Bobby Timmons, Lee Morgan, and Wayne Shorter (who's especially fantastic here!) For some incredibly odd reason, the session was not issued at the time – and only came out briefly at the end of the 60s. It's amazing, though – and features 6 stunning tracks that will forever restore your faith in jazz, even at your darkest moments. Includes "Ping Pong", "Roots & Herbs", "Master Mind", "Look At the Birdie", and "United".
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Art Blakey And The Jazz Messengers - The Witch Doctor (1961) {2014 Japan SHM-CD Blue Note 24-192 Remaster}
Author: ruskaval

Art Blakey And The Jazz Messengers - The Witch Doctor (1961) {2014 Japan SHM-CD Blue Note 24-192 Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 309 Mb | MP3 @320 -> 97 Mb
Full Artwork @ 600 dpi (png) -> 243 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 2014 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81056
Jazz / Hard Bop

Features the high-fidelity SHM-CD format (compatible with standard CD player) and 24 bit remastering. One of our favorite albums ever from Art Blakey and the Jazz Messengers – but a set that was unreleased by Blue Note for quite a few years! The set's one of two gems the group recorded in 1961, but which were held back until the end of the 60s – and it features a stellar version of the group with Wayne Shorter on tenor, Lee Morgan on trumpet, and Bobby Timmons on piano – all wonderful players who were really coming into their own at the time, and starting to bring a richness to the Messengers sound that would leave its mark in jazz for many years to come!
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