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Robert Fripp - NYC, Exposure Rehearsals - 18 January, 1978 (2011) {DGM Official Digital Download}
Author: ruskaval

Robert Fripp - NYC, Exposure Rehearsals - 18 January, 1978 (2011) {DGM Official Digital Download}
FLAC (tracks) - 16bit/44kHz - Official Digital Download (dgmlive.com) -> 227 Mb | MP3 @320 -> 80 Mb | Artwork (pdf+jpg) | 5% repair rar
© 1978, 2011 Robert Fripp / Discipline Global Mobile / King Crimson / DGMlive.com
Soundscapes / Rock / Avant-Garde / Experimental / Ambient / Art Rock

After rehearsals in New York with John Wetton and Michael Walden in 1977 had finished, Robert Fripp continued to work on and refine material for what would become Exposure with Tony Levin and Jerry Marotta. Having worked with the pair previously with Peter Gabriel in both the studio and on stage the previous year, there’s an easy fluency between the players here. That could of course also be the result of the material here being more formed and developed than the previous Exposure rehearsals. While some of these pieces are familiar we get to hear them in either their raw state such as the new-to-these-ears Slow Stomp, or, as in the case of You Burn Me Up, moving towards a finished form that’s instantly recognisable.
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Travis & Fripp - Discretion (2012) {B&W Society of Sound 50 Official Digital Download}
Author: ruskaval

Travis & Fripp - Discretion (2012) {B&W Society of Sound 50 Official Digital Download}
FLAC (tracks) - 16bit/44kHz - Official Digital Download (bowers-wilkins.com) -> 281 Mb | MP3 @320 -> 112 Mb | Artwork (pdf+jpg) | 5% repair rar
© 2012 Travis & Fripp / Bowers & Wilkins / UMG
Soundscapes / Rock / Avant-Garde / Experimental / Ambient / Art Rock

‘Discretion’ is the brand new album by pioneering guitar legend Robert Fripp and flautist/saxophonist Theo Travis made available for Bowers & Wilkins Society of Sound in stunning 24 bit high quality digital format. The music follows on from the duo’s previous album releases and combines almost telepathic interplay with a deep understanding of musical texture and space, the building of long slow melodies, and the creation of slowly shifting harmonic soundscapes.
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Travis & Fripp - St. Michael & All Saints Church, Bishop's Cleeve, UK - May 22, 2009 (2009) {DGM Official Digital Download}
Author: ruskaval

Travis & Fripp - St. Michael & All Saints Church, Bishop's Cleeve, UK - May 22, 2009 (2009) {DGM Official Digital Download}
FLAC (tracks) - 16bit/44kHz - Official Digital Download (dgmlive.com) -> 226 Mb | MP3 @320 -> 126 Mb | Artwork (pdf+jpg) | 5% repair rar
© 2009 Travis & Fripp / Discipline Global Mobile / King Crimson / DGMlive.com
Soundscapes / Rock / Avant-Garde / Experimental / Ambient / Art Rock

Although the titles to several of the tracks may be the same as those at Broad Chalke, the performance in front of a large audience has a much grander and at times, darker feel, to the previous evening. The difference can be heard almost immediately in the opening track. Whereas, The Apparent Chaos of Stone was a more languorous affair at Broad Chalke, here at Bishop’s Cleeve, Fripp begins to throw some startling curve-balls of pensive guitar after only a few minutes. Given the slow silky tones that makes up much of the opening piece it can be easy to miss some of the detailed interplay that occurs between the two players.
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Travis & Fripp - All Saints Church, Broad Chalke, United Kingdom - May 21, 2009 (2009) {DGM Official Digital Download}
Author: ruskaval

Travis & Fripp - All Saints Church, Broad Chalke, United Kingdom - May 21, 2009 (2009) {DGM Official Digital Download}
FLAC (tracks) - 16bit/44kHz - Official Digital Download (dgmlive.com) -> 245 Mb | MP3 @320 -> 124 Mb | Artwork (pdf+jpg) | 5% repair rar
© 2009 Travis & Fripp / Discipline Global Mobile / King Crimson / DGMlive.com
Soundscapes / Rock / Avant-Garde / Experimental / Ambient / Art Rock

Following on from the previous evening’s performance at Wimborne Minster, Travis & Fripp decamp to Broad Chalke. Around 50 or so people gratefully exchanged the sweltering heat outdoors for All Saints’ cool stone walls and lofty wooden rafters. Working in a productive mixture of agreed areas (such as a key or a “feel”) and complete improvisation, the performance is a delicately tightrope walk between two worlds. Perhaps due to differences of venues, times and the occasion (this was ostensibly a fund-raiser for the local school), the music seemed lighter in tone compared to the more sombre mood struck the previous evening.
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Robert Fripp & League Of Gentlemen - Russell Club, Manchester, UK - May 30, 1980 (2012) {DGM Official Digital Download}
Author: ruskaval

Robert Fripp & League Of Gentlemen - Russell Club, Manchester, UK - May 30, 1980 (2012) {DGM Official Digital Download}
FLAC (tracks) - 16bit/44kHz - Official Digital Download (dgmlive.com) -> 372 Mb | MP3 @320 -> 145 Mb | Artwork (jpg) | 5% repair rar
© 1980, 2012 Discipline Global Mobile / King Crimson / DGMlive.com
Rock / Progressive Rock / Art Rock

As the League head north, possibly chastened by the previous evening’s encounter with a mouthy fan in London, there’s only a rather fleeting stage announcement from Fripp tonight. There’s a business-like feel to the concert which is not to say that it’s in any way deficient or lacking. Rather, the band maintain a tight focus on the notes perhaps rather than it’s spirit. Major hits are scored with Hepataparaparshinokh and the wild-card sorties that are Thrang Thrang Gozinbulx I & II have the effect of bulldozing aside any doubts or worries about such matters.
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Robert Fripp - Soundscapes - Blueberry Hill, St. Louis, MO, USA - March 4, 2006 (2006) {DGM Official Digital Download}
Author: ruskaval

Robert Fripp - Soundscapes - Blueberry Hill, St. Louis, MO, USA - March 4, 2006 (2006) {DGM Official Digital Download}
FLAC (tracks) - 16bit/44kHz - Official Digital Download (dgmlive.com) -> 360 Mb | MP3 @320 -> 148 Mb | Artwork (jpg) | 5% repair rar
© 2006 Discipline Global Mobile / King Crimson / DGMlive.com
Rock / Art Rock / Soundscapes / Ambient

Arguably one of the most anticipated downloads on DGMlive, time and space seem to be a movable feast on this the last date of the Soundscapes Do Dixie tour. Playing in a venue where Chuck Berry struts his stuff on a monthly basis, Fripp’s past and present coalescence into an event and performance which he describes as possessing “resonance.” Having a good crowd must’ve been something to do with it. “Probably the best audience of the tour: generous, supportive, attentive. Even, with a noticeable proportion of female women lady persons present” recorded Robert in his diary.
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King Crimson - Jahnhalle, Pforzheim, Germany - March 31, 1974 (2005) {DGM Official Digital Download}
Author: ruskaval

King Crimson - Jahnhalle, Pforzheim, Germany - March 31, 1974 (2005) {DGM Official Digital Download}
FLAC (tracks) - 16bit/44kHz - Official Digital Download (dgmlive.com) -> 382 Mb | MP3 @320 -> 138 Mb | Artwork (pdf+jpg) | 5% repair rar
© 1974, 2005 Discipline Global Mobile / King Crimson / DGMlive.com
Rock / Art Rock / Progressive Rock

From cautious beginnings Improv II quickly expands into lolloping beast of a track providing what is arguably the best set-up to Exiles to date. As Cross and Wetton hurl fuzzed lines across the stage over one of Bruford’s slow-burning jazz vamps, Fripp introduces one sustained note that lasts somewhere in the region of 37 seconds. An object lesson in making a little go a long way.
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King Crimson - Penn State University, University Park, Pennsylvania - June 29, 1974 (2007) {DGM Official Digital Download}
Author: ruskaval

King Crimson - Penn State University, University Park, Pennsylvania - June 29, 1974 (2007) {DGM Official Digital Download}
FLAC (tracks) - 16bit/44kHz - Official Digital Download (dgmlive.com) -> 478 Mb | MP3 @320 -> 170 Mb | Artwork (pdf+jpg) | 5% repair rar
© 1974, 2007 Discipline Global Mobile / King Crimson / DGMlive.com
Rock / Art Rock / Progressive Rock

Though this particular line-up were edging closer to oblivion, listening to this full show 30 years after the event, the energy levels are astounding. In his journal from the time RF described the show as "Tired. Lifeless. Lacklustre” Maybe Fripp’s estimation of the gig was informed by his recovering from mild food poisoning, the cumulative effect of prunes and a boil in his ear! It seems nobody was happy this particular night. Sound engineer George Chkaintz had trouble with the sound in the recording truck, roadie Tex is frightened to turn down Wetton’s amp despite the discreet urgings of other members of the band and crew, Fripp is giving tour manager Dik Frasier grie, and the promoter isn’t best pleased because the band haven’t done an encore!
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King Crimson - Prix D'Ami, Buenos Aires, Argentina - September 28, 1994 (2005) { {2CD DGM Official Digital Download}
Author: ruskaval

King Crimson - Prix D'Ami, Buenos Aires, Argentina - September 28, 1994 (2005) { {2CD DGM Official Digital Download}
FLAC (tracks) - 16bit/44kHz - Official Digital Download (dgmlive.com) -> 613 Mb | MP3 @320 -> 239 Mb | Artwork (pdf+jpg) | 5% repair rar
© 1994, 2005 Discipline Global Mobile / King Crimson / DGMlive.com
Rock / Art Rock / Progressive Rock

This is King Crimson’s first performance in front of a crowd since they had wowed the punters at Le Spectrum (documented on Absent Lovers) back in 1984. Essentially a dress rehearsal in front of invited guests and the South American press, the tickets that had been made available sold out in two hours flat.
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King Crimson - Casino, Asbury Park, New Jersey - June 28, 1974 (2005) {DGM Official Digital Download}
Author: ruskaval

King Crimson - Casino, Asbury Park, New Jersey - June 28, 1974 (2005) {DGM Official Digital Download}
FLAC (tracks) - 16bit/44kHz - Official Digital Download (dgmlive.com) -> 526 Mb | MP3 @320 -> 182 Mb | Artwork (pdf+jpg) | 5% repair rar
© 1974, 2005 Discipline Global Mobile / King Crimson / DGMlive.com
Rock / Art Rock / Progressive Rock

Ever wanted to know what happens after the edit on the storming Asbury Park or the fade out on that contemplative solo on Easy Money? Well now you can find out! Presented uncut for the very first time using unreleased mixes from the multitracks without Eddie Jobson overdubs (as on USA), the power of this gig is tangible. Despite the internal politics and tensions of the period, the band taps into a ferocious energy that never stops burning.
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