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The Modern Jazz Quartet - The Complete Modern Jazz Quartet Prestige & Pablo Recordings [4CD BoxSet] (2003) [re-up]
Author: ruskaval

The Modern Jazz Quartet - The Complete Modern Jazz Quartet Prestige & Pablo Recordings (2003) [4CD Box Set]
EAC rip (secure mode) | FLAC+CUE+LOG -> 1,44 Gb | MP3 @320 -> 665 Mb
Full Artwork @ 300 dpi (jpg) -> 20 Mb
© 2003 Fantasy / Prestige / Pablo | 4PRCD 4438-2
Jazz / Bop / Cool

In typical Fantasy Records aplomb, this four-CD set collects the eight albums which the Modern Jazz Quartet either mentored or collaborated on during their tenure at the commencement and nadir of their reign as jazz's premier chamber ensemble. Beginning with the 1952 issue of Modern Jazz Quartet/Milt Jackson Quintet recording (the earlier Milt Jackson Quartet sides are not here for obvious reasons, as the band did not commence its fully developed form on them) featuring original drummer Kenny Clarke before Connie Kay replaced him, and ending with This One's For Basie in 1985; the association the MJQ had with Prestige was a monumental one.
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The Modern Jazz Quartet - The Complete Atlantic Studio Recordings 1956-64 [7CD BoxSet] (2011) {Mosaic}
Author: ruskaval

The Modern Jazz Quartet - The Complete Atlantic Studio Recordings 1956-64 [7CD BoxSet] (2011) {Mosaic}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.98 Gb | MP3 @320 -> 1.26 Gb
Full Artwork @ 300 dpi (png) -> 285 Mb | 5% repair rar | 24-bit remaster
© 2011 Mosaic / Atlantic / Rhino | MD7-249
Jazz / Third Stream / Piano / Vibes

That sound. One group conceived it. Defined it. Perfected it. The Modern Jazz Quartet was certainly one of the most distinctive voices in the history of jazz, thanks to the unique qualities of personal expression and collective vision of its members Milt Jackson, John Lewis, Percy Heath and Connie Kay (who had replaced original drummer Kenny Clarke by the time the band started recording this music). They were also exceptionally prolific during their tenure at Atlantic Records, producing 14 albums in eight years. And now, that MJQ sound gets the complete respect it deserves, thanks to our new box, The Complete 1956-1964 Modern Jazz Quartet Atlantic Studio Recordings.
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The Modern Jazz Quartet - The Complete Modern Jazz Quartet Prestige & Pablo Recordings (2003) [4CD Box Set]
Author: ruskaval

The Modern Jazz Quartet - The Complete Modern Jazz Quartet Prestige & Pablo Recordings (2003) [4CD Box Set]
EAC rip (secure mode) | FLAC+CUE+LOG -> 1,44 Gb | MP3 @320 -> 665 Mb
Full Artwork @ 300 dpi (jpg) -> 20 Mb
© 2003 Fantasy / Prestige / Pablo | 4PRCD 4438-2
Jazz / Bop / Cool



In typical Fantasy Records aplomb, this four-CD set collects the eight albums which the Modern Jazz Quartet either mentored or collaborated on during their tenure at the commencement and nadir of their reign as jazz's premier chamber ensemble. Beginning with the 1952 issue of Modern Jazz Quartet/Milt Jackson Quintet recording (the earlier Milt Jackson Quartet sides are not here for obvious reasons, as the band did not commence its fully developed form on them) featuring original drummer Kenny Clarke before Connie Kay replaced him, and ending with This One's For Basie in 1985; the association the MJQ had with Prestige was a monumental one.
Details
The Modern Jazz Quartet - The Hi-Res Album Collection (Incomplete) [24bit/192kHz] Combined RE-UP
Author: HDV

The Modern Jazz Quartet - The Hi-Res Album Collection (1960-1975)
FLAC (tracks) 24 bit/192 kHz | Time - 360:15 minutes | ~ 14,2 GB
Studio Master, Official Digital Download | Artwork: Front cover(s)

The Modern Jazz Quartet was a jazz combo established in 1952 that played music influenced by classical, cool jazz, blues and bebop. The band performed over a forty-year span with only one personnel change. For the majority of their career the group comprised John Lewis (piano and musical director), Milt Jackson (vibraphone), Percy Heath (double bass) and Connie Kay (drums). The paradox of the MJQ's music-making was that each individual member could improvise with an exciting vibrancy while maintaining the precision and collectedness of a classical group. Details
Modern Jazz Quartet - A Morning In Paris (2008) [2CD]
Author: ruskaval

Modern Jazz Quartet - A Morning In Paris (2008) [2CD]
EAC rip (secure mode) | FLAC+CUE+LOG -> 811 Mb | MP3 @320 -> 345 Mb
Full Artwork @ 300 dpi (jpg) -> 23 Mb
© 2008 Le Chant du Monde / Harmonia Mundi | 274 1603/04
Jazz / Cool / Bop



Pianist/composer/musical director John Lewis, vibraphonist Milt Jackson, drummer Kenny Clarke (later replaced by Connie Kay), and bassist Percy Heath formed the Modern Jazz Quartet in the mid 1950s and were still together in the mid '90s (after a six-year break). The group's popular chamber-jazz sound was informed by Lewis's extensive studies in European compositional techniques. Jackson died in 1999, definitively closing the book on the long-lived, enormously influential quartet.
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The Modern Jazz Quartet - Third Stream Music (1960) {2013 Japan 24-bit Remaster} [Jazz Best Collection 1000 Series]
Author: ruskaval

The Modern Jazz Quartet - Third Stream Music (1960) {2013 Japan 24-bit Remaster} [Jazz Best Collection 1000 Series]
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 210 Mb | MP3 @320 -> 84 Mb
Full Artwork @ 600 dpi (jpg) -> 117 Mb | 5% repair rar | 24-bit remaster
© 2013 Atlantic / Rhino / Warner Japan / WEA | WPCR-27307 | Jazz Best Collection 1000 Series
Jazz / Cool / Third Stream

Features 24 bit remastering and comes with a mini-description. A seminal album that defined the fresh sound of a whole new generation in jazz – that "third stream" movement that was different from the cool jazz of the west coast, and the fire of New York! The style here follows that same mix of jazz and higher-concept elements you'd hear on other Modern Jazz Quartet albums for Atlantic – but the music is expanded here with some great help from outside parties too.
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The Modern Jazz Quartet - At Music Inn Vol. 1 (1956) {2013 Japan 24-bit Remaster} [Jazz Best Collection 1000 Series]
Author: ruskaval

The Modern Jazz Quartet - At Music Inn Vol. 1 (1956) {2013 Japan 24-bit Remaster} [Jazz Best Collection 1000 Series]
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 229 Mb | MP3 @320 -> 104 Mb
Full Artwork @ 600 dpi (jpg) -> 111 Mb | 5% repair rar | 24-bit remaster
© 2013 Atlantic / Rhino / Warner Japan / WEA | WPCR-27203 | Jazz Best Collection 1000 Series
Jazz / Cool / Third Stream

The first of two albums the Modern Jazz Quartet recorded at the Music Inn in Lenox, MS, this LP is highlighted by "Oh Bess, Oh Where's My Bess," "Two Degrees East, Three Degrees West," "A Morning in Paris," and "England's Carol" which is the MJQ's reworking of "God Rest Ye Merry, Gentlemen." Clarinetist Jimmy Giuffre sits in with the group successfully on three numbers; best is "Fun." This is a worthwhile outing that has not yet been reissued on CD.
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The Australian Jazz Quartet - The Australian Jazz Quartet (1955) {2014 Japan Bethlehem Album Collection 1000}
Author: ruskaval

The Australian Jazz Quartet - The Australian Jazz Quartet (1955) {2014 Japan Bethlehem Album Collection 1000}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 121 Mb | MP3 @320 -> 81 Mb
Full Artwork @ 600 dpi (png) -> 229 Mb | 5% repair rar
© 2014 Solid Records / Bethlehem | CDSOL-6141 | LP BCP-6003 | Mono
Jazz / Cool / Vibes / Flute

A very cool quartet with a very unusual sound – one that mixes up reeds, piano, and vibes with a very fresh approach – one that's partly west coast cool, and partly east coast modern! Key players in the group include Bryce Rhode on piano and Errol Buddle on bassoon – both musicians who'd make bigger waves in the 60s back home in Australian – and the set also features excellent vibes by John (Jack) Brokensha, who'd stay on these shores and make some groovy records for the US, and Dick Healy on flute. The group's joined by Jimmy Gannon on bass and Nick Stabulas on drums – and titles include "Saxophone Pads", "Tune For Jaimey", "Spring Is Here", "Nostalgia", and "Thou Swell".
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The Australian Jazz Quartet - The Australian Jazz Quartet/Quintet (1956) {2014 Japan Bethlehem Album Collection 1000}
Author: ruskaval

The Australian Jazz Quartet - The Australian Jazz Quartet/Quintet (1956) {2014 Japan Bethlehem Album Collection 1000}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 172 Mb | MP3 @320 -> 92 Mb
Full Artwork @ 600 dpi (png) -> 218 Mb | 5% repair rar
© 2014 Solid Records / Bethlehem | CDSOL-6140 | LP BCP-6002
Jazz / Cool / Vibes / Flute

Forget the hokey kangaroo picture on the cover, because the record's a mighty sweet set of 50s modern jazz – played by some key musicians from Australian who were working in the US at the time! The record's got a style that's somewhere between the hippest sessions of LA and Sweden at the time – all the coolness of both scenes, but a sense of playful expression that really comes through on some of the more unusual passages. The core group features Errol Buddle and Dick Healey on reeds, Bryce Rhode on piano, and Jack Brokensha on vibes – with added work from John Fawcett or Jimmy Gannon on bass, and Nick Stabulas on drums. Titles include "Loose Walk", "Like Someone In Love", "Music For Walkin", "Fascinating Rhythm", "A Foggy Day", and "Little Girl Blue".
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The Modern Jazz Quartet - No Sun In Venice (1957) {2013 Japan 24-bit Remaster} [Jazz Best Collection 1000 Series]
Author: ruskaval

The Modern Jazz Quartet - No Sun In Venice (1957) {2013 Japan 24-bit Remaster} [Jazz Best Collection 1000 Series]
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 225 Mb | MP3 @320 -> 87 Mb
Full Artwork @ 600 dpi (png) -> 126 Mb | 5% repair rar | 24-bit remaster
© 2013 Atlantic / Warner Japan / Rhino | WPCR-27352 | Jazz Best Collection 1000 Series
Jazz / Cool / Third Stream / Bop

Features 24 bit remastering and comes with a mini-description. The Modern Jazz Quartet Plays No Sun in Venice (originally titled The Modern Jazz Quartet Plays One Never Knows: Original Film Score for "No Sun in Venice") is a soundtrack album by American jazz group the Modern Jazz Quartet featuring performances recorded in 1957 for Roger Vadim's No Sun in Venice and released on the Atlantic label. This recording has six John Lewis compositions that were used in the French film No Sun in Venice. The music is quite complex and disciplined, making this set of lesser interest to fans who prefer to hear Milt Jackson playing bebop-oriented blues. However the versatile group was perfect for this type of music and these thought-provoking performances reward repeated listenings.
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