Jérémie Rhorer, Le Cercle de l'Harmonie - Mozart: La clemenza di Tito (2017)
Author: SERTiL

Jérémie Rhorer, Le Cercle de l'Harmonie - Mozart: La clemenza di Tito
Classical | MP3 CBR 320 kbps | 133:08 min | 314 MB
Label: Alpha | Tracks: 54 | 2017

The Théâtre des Champs-Élysées and Alpha extend their series of recordings of the Mozart operas conducted by Jérémie Rhorer. After Die Entführung aus dem Serail, which received excellent international reviews including FFFF in Télérama), here now is La clemenza di Tito.Gilles Macassar wrote in Télérama late in 2014 of divinatory conducting,a cast close to the ideal . . . The last opera Mozart composed, long undervalued, closes the chapter of the Baroque and looks into the future,blazing a new trail that looks forward to the nineteenth century. Details
Werner Ehrhardt, L'arte del mondo, Valer Sabadus - Gluck: La clemenza di Tito [2014]
Author: Vilboa

Gluck - La clemenza di Tito (Werner Ehrhardt) [2014]
Classical | Deutsche Harmonia Mundi 88843031432 | TT: 52.18+41.15+78.16+41.17 | EAC (flac, cue, log) | Covers | 1.11 Gb

The opera is starring countertenor Valer Sabadus - one of opera's most exciting newcomers - now exclusively signed to Deutsche Harmonia Mundi, a division of Sony Classical. Christoph Willibald Gluck, widely known for fundamentally reforming the 'opera seria' wrote some of the greatest and exemplary masterpieces of this great genre before he started his famous reform of the opera. This makes this work a fascinating and enlightening piece in the puzzle for the evolution of opera and the eminent character Gluck. Gluck's setting of La Clemenza was first performed in Naples in 1752, ten years before his first reform opera.
Sergio Balestracci, Orchestra della Stagione Armonica - Caldara: La Clemenza di Tito (2004)
Author: ArlegZ

Caldara - La Clemenza di Tito (Sergio Balestracci)
Classical | EAC | Flac, Img+Cue, Logs, Scans | 703.29 MB
CD1:68’32; CD2:77’06 | October 26, 2004 | Bongiovanni

Retrouvailles importantes pour l'histoire de l'opéra que cet enregistrement de la première Clemenzo di Tito, l'un des plus fameux livrets de Pietro Metastasio, immortalisé par Mozart et Gluck. Antonio Caldara, le " Bach italien" installé à Vienne à la cour de Charles VI après une carrière à Barcelone, est un jalon musical essentiel entre Scarlatti, Porpora et les classiques viennois. Il partagera avec Metastasio, poète lauréat, le devant de la scène autrichienne pendant vingt ans. A l'écoute de certains numéros de cette oeuvre donnée le 4novembre 1734 dans des décors de Giuseppe Galli Bibiena, on comprend l'impact de Caldara comme compositeur lyrique...
Galuppi - La clemenza di Tito (Fabio Pirona) [2008]
Author: Sowulo

Galuppi - La clemenza di Tito (Fabio Pirona) [2008]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 2cd, 679.09 MB
Classical | Label: Hungaroton | Catalog Number: HCD 32538-39

Over 40 composers set this Metastasian libretto and Galuppi’s comes from 1760, one of his late forays into opera seria. Much trimming and shifting around was done to arias and recitatives and while the result is, of course, nowhere near as compelling as Mozart was to prove, this remains a valuable document of a genre in gentle decline.
Mozart: La Clemenza di Tito (Sir Charles Mackerras, Magdalena Kozena) [2006]
Author: Sowulo

Mozart - La Clemenza di Tito (Sir Charles Mackerras, Magdalena Kozena) [2006]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 2cd, 487.16 MB
Classical | Label: Deutsche Grammophon | Catalog Number: 00289 477 5792

Sir Charles Mackerras leads a fine performance of Mozart's last opera seria, a work that should be far better appreciated than it is. Full of dignity and poise, aria follows duet follows aria, fascinatingly scored, and exactly the correct length. The numbers are expressive and filled with the information we need to know these characters. Sesto, a travesty role, is taken by Magdalena Kozena, who follows in the footsteps of Teresa Berganza, Cecilia Bartoli, and Anne Sofie von Otter and proves their equal. Her gorgeous voice and technique shine through. --Robert Levine
Arnold Ostmann, Orchestra of the Drottningholm Court Theatre - Mozart: La clemenza di Tito (2006/1987)
Author: Vilboa

Mozart - La clemenza di Tito (Arnold Östmann) (2006/1987)
NTSC 4:3 (720x480) VBR | Italiano (LinearPCM, 2 ch) | 7.15 Gb (DVD9) | 128 min
Classical | Arthaus Musik | Sub: Italiano, Deutsch, English, Espanol, Francais

Premiered not very successfully, in Prague on September 6th 1791, La Clemenza di Tito had turned into a considerable triumph within a month and was the first Mozart opera to be heard in London in 1806. The opera celebrates one man’s wisdom and regal benevolence and his struggle to maintain clemency no matter what the provocation. Vitellia, daughter of the deposed Emperor, believes the title of Empress to be hers by right of birth. Despite her love for Tito she seeks revenge when he plans to marry another. A dreadful conspiracy begins to unfold where passion overrides loyalty, and integrity is tested to the extreme. For his last opera, written for the coronation of Leopold II as King of Bohemia in 1791, Mozart used a formal opera seria libretto, but at its heart are intimate scenes of intense emotional conflicts.
Sylvain Cambreling, Orchestra of the Opera national de Paris - Mozart: La clemenza di Tito (2010/2005) [Blu-Ray]
Author: Vilboa

Mozart - La clemenza di Tito (Sylvain Cambreling) (2010/2005) [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 25993 kbps / 1080i / 29,970 fps | 147 min | 42,2 Gb
Audio1: Italian / LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD Master Audio / 5.0 / 48 kHz / 3639 kbps / 24-bit

BluRay-rip | AVC | MKV 1920x1080 (16:9) / 6215 kbps / 29,97 fps | 147 min | 8,00 Gb
Audio: Italian / DTS / 5ch / 48.0 KHz / 24 bits
Classical | Opus Arte | Sub: English, French, German, Spanish, Italian

Commissioned for the coronation of Leopold II in Prague, Mozart’s last opera is a deep, humane reflection on relationships, power and forgiveness. With the composition of some of the most beautiful passages in his oeuvre, Mozart has succeeded in giving this opera seria both a noble sobriety and transparent instrumentation, to which this commanding production by the Herrmann partnership does full justice on all levels. Susan Graham’s most extraordinary Sesto and Christoph Prégardien’s superb Tito set the standard for this riveting Opéra national de Paris performance, conducted by the outstanding Sylvain Cambreling.
Mozart - La clemenza di Tito (Graham, Naglestad, Pregardien; Cambreling) (2005) [BDRip 720p]
Author: juanchito

Mozart - La clemenza di Tito (Graham, Naglestad, Pregardien; Cambreling) (2005)
BDRip 720p | MKV | AVC, 6000 kbit/s to 1280x720 (16:9), 29.970 fps | 7.77 GB
Audio: DTS, 1510 kbit/sec, 6 channels, 48.0 kHz | Length: 02:27:33
Genre: Opera | Nitroflare/Uploadable/Filefactory
Mozart - La Clemenza di Tito (James Levine, Eric Tappy, Tatiana Troyanos) [2006 / 1980]
Author: Sowulo

Mozart - La Clemenza di Tito (James Levine, Eric Tappy, Tatiana Troyanos) [2006 / 1980]
NTSC 4:3 (720x480) VBR | Italiano (LinearPCM, 2 ch) Italiano (DTS, 6 ch) | 7.34 Gb (DVD9)
Classical | Deutsche Grammophon | Sub: Italiano, English, Deutsch, Francais, Espanol, Chinese | 135 min | +3% Recovery

On the heels of the recent excellent Clemenza DVD from Opus Arte, comes this DGG DVD of a beautiful film of the opera directed by Jean-Pierre Ponnelle. It was filmed on location in Rome at the Baths of Caracalla, the Arch of Titus and at the Villa Adriana in Tivoli from 10 May-16 June 1980 with the sound recording made in Vienna at Wien-Film 6-12 May 1980. Ponnelle favored singers lip synching their arias so that they might concentrate on acting, thus improving the dramatic aspect of opera. It seems to work here. Clemenza, more than most Mozart operas, relies on lengthy expository recitatives to further the story. These recitatives, as is well known, were not written by Mozart but by his assistants, probably Sussmayr. Slightly less effective as they are, any dramatic enhancements are an improvement...
Mozart - La Clemenza di Tito [Gardiner] 2CD
Author: paracels

Mozart - La Clemenza di Tito [Gardiner]
Classical, Opera | 2 CD | CD-DA | FLAC tracks, no CUE, no LOG | Scans HQ | 525 MB | RS | TT 108:05
Recorded: June 1990, Queen Elizabeth Hall, The South Bank Centre, London
Released: 1991 | Label: DEUTSCHE GRAMMOPHON
Anthony Rolfe Johnson, Anne Sofie von Otter, Sylvia McNair, Julia Varady, Catherine Robbin,
Cornelius Hauptmann, English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner (conductor)

The obbligato players are all masterly. We have execution on period instruments that surely must banish all doubts about their use in Mozart. For that reason alone this would now be my recommended version, but to compound pleasure and satisfaction, Mozart's music-drama, once considered marmoreal, here sounds worthy to stand alongside Idomeneo in the opera seria canon. (Gramophone)
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