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Fleetwood Mac - 3 Original Album Classics (2010) {3CD Box Set, Reissue}
Author: popsakov

Fleetwood Mac - 3 Original Album Classics (2010) {3CD Box Set, Reissue}
EAC Rip | FLAC (Tracks) + Cue + Log + m3u ~ 667 Mb | MP3 CBR320 ~ 274 Mb
Scans (JPG, 600 dpi) ~ 38 Mb | RAR 5% Recovery
Blues, Rock | Sony Music / Columbia / Legacy #88697625922

This three-disc box set from Sony gathers up the first three long-players from Peter Green-era Fleetwood Mac. Released in 1968, Fleetwood Mac (often referred to as Peter Green's Fleetwood Mac) was a blues-rock juggernaut that stayed on the U.K. charts for nearly 40 weeks, while that same year's Mr. Wonderful beefed up the band's already meaty sound with a full horn section. Appearing in 1969, Pious Bird of Good Omen offered up a collection of B-sides and singles that were recorded between 1967 and 1968.
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Fleetwood Mac - Japanese Mini-LP Collection (1969-1974) [7x SHM-CD '2013]
Author: perfecta

Fleetwood Mac - Japanese Mini-LP Collection (1969-1974) [7x SHM-CD '2013]
7x EAC | FLAC Images with CUEs & LOGs - 1,76 GB | Full PNG Scans - 1,38 GB | MP3 CBR 320 Kbps - 663 MB
Rock / Blues Rock / Pop Rock | TT - 292:51 minutes | Label: Warner Music Japan | Catalogue # WPCR-14579~85

Fleetwood Mac are a British-American rock band formed in 1967 in London. Due to numerous line-up changes, the only original member present in the band is its namesake, drummer Mick Fleetwood. Here is the last Japanese SHM-CD Reissue. This Mini-LP series features albums: "Then Play On", "Kiln House", "Future Game", "Bare Trees", "Penguin", "Mystery To Me", and "Heroes Are Hard To Find". Details
Fleetwood Mac - Tusk (1979) [2015, Super Deluxe Box Set]
Author: v3122
Fleetwood Mac - Tusk (1979) front

Fleetwood Mac - Tusk (1979)
EAC | Flac(Image) + Cue + Log
5CD | Warner Bros., 081227950859 | ~ 2291 Mb | Scans(png) -> 872 Mb
DVD5: NTSC 16:9 (720x480) VBR, Auto Pan&Scan
DTS, 5 ch, 96/24, 1509 Kbps / LinearPCM, 2 ch, 96/24, 4608 Kbps -> 3.47 Gb
Soft Rock / Classic Rock

More than any other Fleetwood Mac album, Tusk is born of a particular time and place -- it could only have been created in the aftermath of Rumours, which shattered sales records, and in turn gave the group a blank check for their next album. But if they were falling apart during the making of Rumours, they were officially broken and shattered during the making of Tusk, and that disconnect between bandmembers resulted in a sprawling, incoherent, and utterly brilliant 20-track double album...
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Fleetwood Mac - Boston Live (1984) [1989, Castle CLACD 152]
Author: v3122
Fleetwood Mac - Boston Live (1984) front

Fleetwood Mac - Boston Live (1984)
EAC | Flac(Image) + Cue + Log & M4A(Tracks) & MP3 CBR 320Kbps
Castle CLACD 152 | ~ 230 or 231 or 87 Mb | Scans Included
Blues Rock

While most bands undergo a number of changes over the course of their careers, few groups experienced such radical stylistic changes as Fleetwood Mac. Initially conceived as a hard-edged British blues combo in the late '60s, the band gradually evolved into a polished pop/rock act over the course of a decade...
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Fleetwood Mac - Live: The Great Fleetwood Mac (1999)
Author: popsakov

Fleetwood Mac - Live: The Great Fleetwood Mac (1999)
EAC Rip | FLAC (Tracks) + Cue + Log + m3u ~ 290 Mb | MP3 CBR320 ~ 118 Mb
Scans (JPG, 600 dpi) ~ 58 Mb | RAR 5% Recovery
Blues, Blues Rock | Goldies / I.M.C. Music #GLD 63209

Though they ultimately made their name as a blues-rock band, and Peter Green's admiration of artists like Jerry Garcia eventually found its way into their music, Fleetwood Mac began as a straight-ahead blues band. A bunch of Brits devoted to the music of Chicago and the Delta, Green and company couldn't help but put their own twist on the blues, but they were simultaneously reverential towards it. This is the situation presented in this 1968 live recording. While the sound quality is less than stellar, it's good enough to make the guitar talents of Green and Jeremy Spencer obvious, as they work up effective solos over "Got To Move," "Vuzz Me" and others...
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Fleetwood Mac - Fleetwood Mac (1975)
Author: v3122

Fleetwood Mac - Fleetwood Mac (1975)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
1990 | Reprise, 2281-2 | ~ 236 or 103 Mb | Scans(jpg) -> 34 Mb
Blues Rock, Pop Rock, Classic Rock

It's unfair to say that Fleetwood Mac had no pop pretensions prior to the addition of Lindsey Buckingham and Stevie Nicks to the lineup in 1975. When they were led by Bob Welch they often flirted with pop, even recording the first version of the unabashedly smooth and sappy "Sentimental Lady," which would later be one of the defining soft rock hits of the late '70s...
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Fleetwood Mac - The Original Fleetwood Mac (1971) [Castle Classics, CLACD 344]
Author: v3122
Fleetwood Mac - The Original Fleetwood Mac (1971) front

Fleetwood Mac - The Original Fleetwood Mac (1971)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
1994 | Castle Classics, CLACD 344 | ~ 258 or 121 Mb | Scans Included
Blues Rock / Pop Rock / Soft Rock

As far as odds and ends packages go, Original Fleetwood Mac (1971) is an undeniably strong collection culled primarily from the band's first incarnation, featuring John McVie (bass/guitar), Mick Fleetwood (drums), Peter Green (guitar/vocals), and Jeremy Spencer (guitar/piano/vocals). As evidenced by the material, this quartet are an unmistakably blues-based combo. Early on they distinguished themselves as not only interpreters of traditional fare, but skilled composers, especially Green, who penned the vast majority of these selections...
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Fleetwood Mac - Fleetwood Mac (1968) REPOST
Author: uff

Fleetwood Mac - Fleetwood Mac (1968)
Blues Rock | 1cd | EAC Rip | Flac + Cue + Log | covers
Columbia COL 477358 | rel: 1993 | 270Mb

Fleetwood Mac's debut LP was a highlight of the late-'60s British blues boom. Green's always inspired playing, the capable (if erratic) songwriting, and the general panache of the band as a whole placed them leagues above the overcrowded field. Elmore James is a big influence on this set, particularly on the tunes fronted by Jeremy Spencer ("Shake Your Moneymaker," "Got to Move"). Spencer's bluster, however, was outshone by the budding singing and songwriting skills of Green. Details
Fleetwood Mac – “1-2-3” - Fleetwood Mac - Mr. Wonderful - The Pious Bird of Good Omen – 3-CD Box
Author: janwal46

Fleetwood Mac – “1-2-3” – 01. Fleetwood Mac (1968) – 02. Mr. Wonderful (1968) – 03. The Pious Bird Of Good Omen (1969) (3-CD Box)
Columbia | 1968-1969 | Blues | EAC RIP | FLAC+CUE+LOG+HQ-Covers (400Dpi) | 01. 233+13Mb 02. 248Mb+25Mb 03. 215Mb+12Mb

The Blues has always been popular in England. Performers like Screamin' Jay Hawkins, Howlin' Wolf and even Freddie King and Bo Diddley were stars in England before making it big in their own country. When John Mayall formed the Bluesbreakers it was out of respect and admiration to those performers; and he's stayed with the blues, cultivating a number of fine young blues musicians including guitarists Eric Clapton and Peter Green. After Clapton left Mayall, moving on to form Cream, Peter Green replaced him. Now Green has formed his own group, Fleetwood Mac (along with another former Bluesbreaker, bassist John McVie).
Whereas Clapton expanded onto new horizons with Cream, Green has chosen to remain dedicated to the blues, and on this, their first recorded effort, Fleetwood Mac have established themselves as another tight English blues band—joining Mayall's Bluesbreakers, Ten Years After and Savoy Brown as chief practitioners of blues in England.
Green, like Mayall, has studied the records and performances of Howlin' Wolf, Memphis Slim, Junior Wells and Elmore James carefully. The piano riffs on "Hellbound on My Trail" are lifted directly from Slim's classic "If You See Kay," but it's done well, if perhaps a little too self-consciously. Fleetwood Mac (the name is a combination of the names of members of the group), know what they're doing, they dig the music they're playing and that's great—but the drawback here is that they don't put enough of themselves into it instead of what they've heard from the original artists.
Green is a more than competent guitar player, and the Mac's treatment of "Shake Your Moneymaker" is just as powerful as the first Butterfield version (on the Paul Butterfield Blues Band album). The harp work is proficient in most places but rather weak on "Got to Move," the old Sonny Boy Williamson song. Green's composition "Long Grey Mare" is one of the best cuts on the album, anchored by McVie's strong bass line. The record has a strange, prematurely vintage (if there can be such a thing) sound to it, like an old classic recording made in the late Forties or early Fifties.
Like most modern white bluesmen, Fleetwood Mac try very hard to live the kind of music they play—not picking cotton in the Delta, but maintaining the hard-life blues tradition, gigging at small clubs in Northern England and in scruffy halls in the East End. Their music retains an unaffected rough quality. They play well, and if it sounds a little scratchy at times it's because that's the way they happen to feel at that particular moment. The licks they've copied from other performers are natural enough—it's more of a tribute than an imitation.
The English continue to prove how well into the blues they really are, and know how to lay it down and shove it back across the Atlantic. Fleetwood Mac are representative of how far the blues has penetrated—far enough for a group of London East-Enders to have cut a record potent enough to make the South Side of Chicago take notice. Details
Fleetwood Mac - s/t (1975) {2004 remaster}
Author: TestTickles
Fleetwood Mac - s/t (1975) {2004 remaster}

Fleetwood Mac - s/t (1975) {2004 remaster}
EAC Rip | FLAC with CUE and log | scans | 415 mb
MP3 CBR 320kbps | RAR | 167 mb
Genre: rock, pop

Fleetwood Mac is the 1975 album by Fleetwood Mac, which was the introduction of Lindsey Buckingham and Stevie Nicks into the group. This was remastered in 2004 by Bill Inglot and Dan Hersch and features the full album plus five bonus tracks. Details
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