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Jordi Savall - Antonio Vivaldi, J.S. Bach - Magnificat & Concerti (2014) {CD with DVD5 PAL Alia Vox AVSA9909D}
Author: ruskaval

Jordi Savall - Antonio Vivaldi, J.S. Bach - Magnificat & Concerti (2014) {CD with DVD5 PAL Alia Vox AVSA9909D}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 424 Mb | MP3 @320 -> 170 Mb
DVD5 -> 3.86 Gb | All Regions | PAL 16:9 | LPCM, 2 ch | ~ 65 min | ISO Image
Full Artwork @ 600 dpi (jpg) -> 470 Mb | 5% repair rar
© 2014 Alia Vox | AVSA9909D
Classical / Choral / Concerto / Baroque

JS Bach and Vivaldi s' Magnificat's: desert island repertoire to illustrate the splendour of the orchestra Le Concert des Nations and choir of La Capella Reial de Catalunya. Jordi Savall offers a vivid and striking performance of these two masterpieces, recorded live at the Royal Chapel in Versailles in 2013. Each of them is introduced by a concerto by the same composer in the same tonality. The superlative performance of Pierre Hantaï in the Concerto BWV1052 is another jewel to the crown of this album. The bonus DVD features both Magnificats and Bach s Concerto.
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J.S. Bach - Magnificat - Piano and Vocal score
Author: Not-Matt
Magnificat

J.S. Bach - Magnificat BVW 243 - Piano and vocal score
Edition Peters | ISBN: N.A. | 1976 | PDF | 50 pages | 5.6 Mb

The Magnificat in D major, BWV 243, is one of the major vocal works of Johann Sebastian Bach. It was composed for an orchestra and choir of five voices. The text is the canticle of Mary, mother of Jesus as recounted by Luke the Evangelist. It is also one of the two large works Bach composed in Latin; the other being his Mass in B minor, which also shared its use of a five-voice choir.
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J.S. Bach - Magnificat BWV 243 & 80 - Philippe Herreweghe (HM 1999)
Author: Flush

J.S. Bach - Magnificat BWV 243 & 80 | 1999 | Classical, Chorus
APE 1411 kbps | 44100 HZ Stereo | 219 MB

'''My soul doth magnify the Lord.'
The Magnificat was the very first work Bach composed after his appointment as Cantor of St. Thomas's School in Leipzig in 1723. We can imagine the care he lavished on the work that was to establish him in this new function. It was revised some years later: the key was changed to D major and the forces were considerably enlarged. This is the version in which one of Bach's most famous choral works has come down to us.'' --HarmoniaMundi.com
My Blog | Online
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Bach J.S. & Bach C.P.E. – Magnificat (Tölzer Knabenchor, Collegium Aureum) [1995]
Author: Sowulo

Bach J.S. & Bach C.P.E. – Magnificat (Tolzer Knabenchor, Collegium Aureum) [1995]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 1cd, 323.56 MB
Classical | DHM | 054727 7411 2

This recording is something of a throwback to earlier days of the original instrument movement. The Collegium Aureum was an early exponent of this, and the 1966 recording of the JS Bach shows how this movement has evolved. Wonderful trumpets, struggling with the tessitura and tuning, and the (probably) part-time early music oboists, point up the most obvious difference. Early music was a labor of love in the 1960's, not a full time job. Which make me wonder if today's "authentic" performances aren't too clean, and too polished. How much rehearsal time did the "old wig" get, anyway, especially with works that were being given their premiere performances? Charles Rosen said that a truly authentic performance is impossible, you're either too early or too late.
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C. P. E. Bach, J. N. Bach: Magnificat, Missa brevis / Bach Collegium Stuttgart, Helmuth Rilling (1995)
Author: Benzok

C. P. E. Bach, J. N. Bach: Magnificat, Missa brevis / Bach Collegium Stuttgart, Helmuth Rilling (1995)
Unknown Rip | FLAC (image), cue, no log, no scans | RAR Rec. 3% | 305 MB | hotfile, fileserve
Classical | Label: Hanssler Classics | Time: 59:07

C.P.E. Bach's "Magnificat" is one of the glories of the choral repertoire, and, like other reviewers, I envy you your first experience of this magnificent music. I first heard it in the impressive performance by Philip Ledger and the Academy of St.-Martin-in-the-Fields. I think Rilling's performance is even better, though, more supple and nuanced, without sacrificing speed and intensity.
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J. S. Bach - Kuhnau - Magnificat (Ton Koopman) DVD9
Author: Cuba00

J. S. Bach - Kuhnau - Magnificat (Ton Koopman) DVD9
Baroque | DVD9 NTSC · 16:9 | PCM Stereo · Dolby Digital 5.1 · DTS 5.1 | En, Fr, Ge, Latin | 6,21 GB
Euroarts 2004 | 87 m | rapidshare | Scans

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The Sixteen - In Honore J.S.Bach (2000)
Author: mook45

The Sixteen - In Honore J.S.Bach (2000)
EAC | FLAC IMG,CUE+LOG = 299MB | 400 dpi Scans
Choral | Label: Linn - CKD 148 | FSe/MU/HF
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Till Fellner - J.S. Bach: Das Wohltemperierte Klavier, Buch 1 (2004) 2CD
Author: Designol

Till Fellner - J.S. Bach: The Well-Tempered Clavier, Book I (2004) 2CD
EAC | FLAC | Tracks (Cue&Log) ~ 344 Mb (incl 5%) | Mp3 (CBR320) ~ 321 Mb (incl 5%) | Scans included
Genre: Classical | Label: ECM | # ECM New Series 1853/54, 476 0482 | Time: 01:54:54

Youthful Viennese pianist Till Fellner has performed J.S. Bach's Well-Tempered Clavier to critical acclaim across Europe, and has made it the backbone of his recital repertoire. For this recording of Book I, Fellner performs the 24 preludes and fugues with a rich and full sound, yet with the refinement and fastidious control required in these comprehensive studies of Baroque keyboard technique. Articulation and balanced phrasing are of paramount importance, and Fellner's energies are directed to the clean execution of lines and the careful shading of contrapuntal voicings. What emotion he communicates is subtle and somewhat constrained to the contrasting characters of each pairing -- the preludes and fugues often play off each other -- yet his interpretations are quite colorful and varied over the course of the set. Neither cerebral nor effusive, Fellner renders the music in an appealing middle area between schools of interpretation, and achieves imaginative results that should please both traditionalists and fans of period practice.
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Nathan Milstein - J.S. Bach: Sonatas & Partitas for Solo Violin, BWV 1001-1006 (2012) 2CD
Author: Designol

Nathan Milstein - J.S. Bach: Sonatas & Partitas for Solo Violin, BWV 1001-1006 (2012) 2CD
EAC | FLAC | Image (Cue&Log) ~ 322 Mb (incl 5%) | Mp3 (CBR320) ~ 275 Mb (incl 5%) | Scans ~ 94 Mb
Genre: Classical | Label: EMI | # 50999 6 78741 2 5 | Time: 01:54:06

The late Nathan Milstein’s 1975 stereo remake (DG mid-price) was his own preferred version of these pillars of the violin repertoire with which he had been so associated since his youth in Odessa. But his (broadly faster) mid-Fifties New York account, now remastered and restored by EMI, was a famous yardstick of its time – a grandly phrased, aristocratically structured, Romantically resonant statement to treasure beside Menuhin and Heifetz. These are epic virtuoso performances justifying Milstein’s view that with this music the performer could ‘bask in the most glamorous light’. Stylistically, purists will object to their expressive liberty and gesture. But few will be able to resist their artistry or intensity of delivery.
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Julian Bream - J.S. Bach: Prelude, Fugue and Allegro BWV 998; Suite BWV 996; Chaconne from Parita No.2; Partita No.3 (1994)
Author: Designol

Julian Bream - J.S. Bach: Prelude, Fugue and Allegro BWV 998; Suite BWV 996; Chaconne from Parita No.2; Partita No.3 (1994)
EAC | FLAC | Image (Cue&Log) ~ 317 Mb (incl 5%) | Mp3 (CBR320) ~ 193 Mb (incl 5%) | Scans included
Genre: Classic, Guitar | Label: EMI Classics | # 7243 5 55123 2 1 | Time: 01:09:56

Julian Bream is, without a doubt, one of the premiere classical guitarists of the modern recording era. Comparisons between great guitarists is often unfair and misleading as they each have their own styles - and each musician and his/her style tends to be particularly well suited to certain types of music. For example, Andres Segovia's style, cultivated by self-teaching throughout his now ended life, concentrated on flowing legatto smoothness and flowing melodies. Bream's, on the other hand, while equally masterful, is better characterized as emphasizing the precision and crispness of each and every individual note. What better composer to focus on to show this particular proclivity that J. S. Bach, whose work, having been written largely for the keyboards (harpsichord) but also for the lute and triple harp, tends to emphasize the kinds of music Bream excels at. Stacatto phrasings, each written to be played with crystalline exactness, are the types of pieces wherein Bream's magnificence is conspicuous and best showcased. Thus, the special relevance of this particular compilation of some of his best Bach work on this CD.
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